We are a commune of inquiring, skeptical, politically centrist, capitalist, anglophile, traditionalist New England Yankee humans, humanoids, and animals with many interests beyond and above politics. Each of us has had a high-school education (or GED), but all had ADD so didn't pay attention very well, especially the dogs. Each one of us does "try my best to be just like I am," and none of us enjoys working for others, including for Maggie, from whom we receive neither a nickel nor a dime. Freedom from nags, cranks, government, do-gooders, control-freaks and idiots is all that we ask for.
Eves of holy days are "fast" days for Roman Catholics, maybe for other Orthodox rites too. "Fasting" means no meat - but, conveniently, fish do not count as meat.
The question came up in a dinner conversation. I love Youtube.
How to fix a leaky faucet? How the Spanish Armada failed? How to back a boat into a slip with a strong current? How to make a good pasta fagiole? Sure, it can be a time-waster but it's a great resource.
Here's the story. They should have made more money from it.
About 5 years ago there was a Political QQQ posted. Today I'll post another by the same person.
"How can an act done under compulsion have any moral element in it, seeing that what is moral is the free act of an intelligent being?" ~Auberon Herbert
I recently was in a heated debate with someone who called volunteerism a "Republican guilt complex", stating that government directed welfare was better and anything done voluntarily would never live up to overall needs as effectively.
I disagreed. I believe compelling people to do something doesn't make them good. Furthermore, it opens the door to corruption, destruction, and destitution. Politicians view the money collected as 'theirs' and they will do as they please with it. But you get to feel good. You 'did' something, right?
The US government keeps telling people what a "healthy diet" is. For years, they wanted 11 servings of carbs daily. Now they want "fruits and vegetables." Why?
Looks deserted, but the cafes of Lourmarin are packed for late supper and drinks, and the piazza is full of kids playing games in the dark in front of the ice-cream shop.
Good last-minute Christmas idea: a hike, bike, or otherwise, tour around the villages and vineyards of Luberon. You might decide to move there, like Camus.
Not all Baroque is cheery, but lots of it is. Not lots of catchy tunes or riffs, so a lot of it sounds like inventive ornamentation. Filigree. Must be great fun to play, if you can.
Mrs. BD and I have been attending a Baroque Chamber Concerto series (Handel, Vivaldi, Bach) at Lincoln Center this month. It helps me greatly to watch the musicians to see who is doing what. With only a handful of musicians at a time, that's easy to see. A few violins and violas, a bass, a harpsichord, rarely a harp, and sometimes bassoon ad/or oboe. Occasional horns too.
In a large space it's hard to hear the harpsichord but it's mostly a continuo. Pianny was a great invention. Big noise. Chamber music was/is meant for small spaces.
A few facts (I am not well-educated musically, and am tone deaf with zero musical talent):
- The famous baroque composers wrote tons of secular music. That was mainly for courts. Lots of the chamber music was written for pedagogical purposes. Through his entire career, Bach complained about the quality of musicians. They seemed to approximate the scores.
At the heart of Bach's pursuit of chamber music in Cöthen was the rare genre of unaccompanied solo works in sonata and suite genres beginning with the violin and cello works, BWV 1001-1012, followed primarily in Leipzig with the duo sonatas for violin, flute, and viola da gamba, as well as 24 transcriptions of 14 of these works for different instruments and the perfection of the solo pieces. During much of this time Bach also composed works for lute or lute harpsichord while focusing on the flute in Leipzig. The music was intended for varied purposes: to teach composition to family members, students, and friends; to develop a repertory to reflect emerging genres and tastes, and to meet the needs of a growing general public to experience music first-hand.
We’re only beginning to figure out how AI will change society, and I will leave the prognostications to others for now. What I’m interested in is how humans have been laying the groundwork for bots to take over, even in areas where we are meant to be inimitable - in ideas, music, storytelling and democratic discourse. AI-generated culture and human-made culture are converging from both ends. As the machines learn how to emulate us, we are making it easier for them, by becoming more like the machines.