We are a commune of inquiring, skeptical, politically centrist, capitalist, anglophile, traditionalist New England Yankee humans, humanoids, and animals with many interests beyond and above politics. Each of us has had a high-school education (or GED), but all had ADD so didn't pay attention very well, especially the dogs. Each one of us does "try my best to be just like I am," and none of us enjoys working for others, including for Maggie, from whom we receive neither a nickel nor a dime. Freedom from nags, cranks, government, do-gooders, control-freaks and idiots is all that we ask for.
The original lyrics for Have Yourself a Merry Little Christmas. A bit grim.Thanks, reader. Link to article here.
“Have yourself a merry little Christmas It may be your last Next year we may all be living in the past
Have yourself a merry little Christmas Pop that champagne cork Next year we may all be living in New York
No good times like the olden days Happy golden days of yore Faithful friends who were dear to us Will be near to us no more
But at least we all will be together If the Lord allows From now on, we’ll have to muddle through somehow So have yourself a merry little Christmas now”
On tour, he's been behind the electric piano in recent years. It was my impression that arthritis was a problem, and I'd not be surprised if that were so.
Anyway, last month he showed up for Farm Aid with his guitar. Here's Maggie's Farm, of course:
Syd Barrett, founding member of Pink Floyd, gradually sank into psychosis during the group's early days. The group wrote this remarkable homage to him (this performed by David Gilmour):
Not all Baroque is cheery, but lots of it is. Not lots of catchy tunes or riffs, so a lot of it sounds like inventive ornamentation. Filigree. Must be great fun to play, if you can.
Mrs. BD and I have been attending a Baroque Chamber Concerto series (Handel, Vivaldi, Bach) at Lincoln Center this month. It helps me greatly to watch the musicians to see who is doing what. With only a handful of musicians at a time, that's easy to see. A few violins and violas, a bass, a harpsichord, rarely a harp, and sometimes bassoon ad/or oboe. Occasional horns too.
In a large space it's hard to hear the harpsichord but it's mostly a continuo. Pianny was a great invention. Big noise. Chamber music was/is meant for small spaces.
A few facts (I am not well-educated musically, and am tone deaf with zero musical talent):
- The famous baroque composers wrote tons of secular music. That was mainly for courts. Lots of the chamber music was written for pedagogical purposes. Through his entire career, Bach complained about the quality of musicians. They seemed to approximate the scores.
At the heart of Bach's pursuit of chamber music in Cöthen was the rare genre of unaccompanied solo works in sonata and suite genres beginning with the violin and cello works, BWV 1001-1012, followed primarily in Leipzig with the duo sonatas for violin, flute, and viola da gamba, as well as 24 transcriptions of 14 of these works for different instruments and the perfection of the solo pieces. During much of this time Bach also composed works for lute or lute harpsichord while focusing on the flute in Leipzig. The music was intended for varied purposes: to teach composition to family members, students, and friends; to develop a repertory to reflect emerging genres and tastes, and to meet the needs of a growing general public to experience music first-hand.
