We are a commune of inquiring, skeptical, politically centrist, capitalist, anglophile, traditionalist New England Yankee humans, humanoids, and animals with many interests beyond and above politics. Each of us has had a high-school education (or GED), but all had ADD so didn't pay attention very well, especially the dogs. Each one of us does "try my best to be just like I am," and none of us enjoys working for others, including for Maggie, from whom we receive neither a nickel nor a dime. Freedom from nags, cranks, government, do-gooders, control-freaks and idiots is all that we ask for.
Don't know the piece, though I love Handel and have heard of it. I like Baroque opera too (currently Gluck's Orfeo et Euridice is my car music). Judging only from the still, I am not surprised at your reaction to the staging. Sometimes--especially these days--opera is better without the visuals.
Going for Baroque: Most opera sounds like nails on a chalkboard, imho. I do enjoy Handel, though. His Water Music concert is superb. It was first performed in 1717 for King George I on the Thames River; literally on barges while all floated downstream.
This is not what most people probably think of when they hear the word 'opera'... If you only know Puccini and Verdi - or even Mozart and Donizetti - this is quite different.
The stately repetitions, sedate dynamics, and rolling molasses of Baroque music challenges impatient modern listeners.
YouTube offers up some interesting master classes in opera. In many of them, experienced singers discuss the challenge of adding varied color and dramatic motivation to the repetitions and curlicues.... In previous generations singers freely improvised many of these figures, but now they are weighted down by the burden of "authentic historical performance".