Maggie's Farm

Besides opera tix, the other Christmas present I received (besides stinky cheeses) was an island-hopping rugged hiking trip in the Outer Hebrides. Well, Mrs. BD likes remote rugged places as readers know - as long as there are cozy B&Bs at night.

I checked the weather for our trip: 40s (F) at night, high 50s (F) daytime. Some precipitation 21 out of 30 days/month in summer (more in winter).  North Atlantic weather. I've done a few ship crossings in the north Atlantic and know what it's like: cool mist and drizzle, no need for sunscreen.

Gwynnie lent me his waterproof Olympus.

My Mom and Dad were partial to trips to northern climes. Dad wrote the poem below to document the habit (with a photo of the poet at the farm). 

 Reposted from 2009. 2009 ?!?  Sheesh. This site is getting long in the tooth.

Photo:  If you have areas you want mowed instead of just hayed once a year, the trick is to get the kids on the mini-John Deere. They love it. It's easy to teach them how to jump off if the thing starts to tip over on a steep, angled, rocky New England hill - just tip it over when they are on it, and they will figger it out. Child abuse, no doubt. This birch hill looks good as a distant vista from ye olde farmhouse kitchen window when the top of the hill is mowed occasionally. We prefer to keep most of the fields only mowed once-yearly in late August or September for the wildlife and wildflowers, because I know in my heart that God loves meadows - but not lawns.

Yes, that is in the Berkshires and yes, we have big tractors too. Ford and Farmall. I'd never take that old dainty-front-footed Farmall on a steep, angled Yankee pasture hill, tho. The old Ford has a nice, comfortable wide stance.

 I think it was in Pogo where somebody said "What is so rare as a steak in June?"

Two verses from Part 1 of James Russell Lowell's (1819-1891) religious epic The Vision of Sir Launfal:

Earth gets its price for what Earth gives us;
The beggar is taxed for a corner to die in,
The priest hath his fee who comes and shrives us,
We bargain for the graves we lie in;
At the Devil's booth are all things sold
Each ounce of dross costs its ounce of gold;
For a cap and bells our lives we pay,
Bubbles we earn with a whole soul's tasking:
'T is heaven alone that is given away,
'T is only God may be had for the asking;
There is no price set on the lavish summer,
And June may be had by the poorest comer.

And what is so rare as a day in June?
Then, if ever, come perfect days;
Then Heaven tries the earth if it be in tune,
And over it softly her warm ear lays:
Whether we look, or whether we listen,
We hear life murmur, or see it glisten;
Every clod feels a stir of might,
An instinct within it that reaches and towers,
And, grasping blindly above it for light,
Climbs to a soul in grass and flowers;
The flush of life may well be seen
Thrilling back over hills and valleys;
The cowslip startles in meadows green,
The buttercup catches the sun in its chalice,
And there is never a leaf or a blade too mean
To be some happy creature's palace;
The little bird sits at his door in the sun,
Atilt like a blossom among the leaves,
And lets his illumined being o'errun
With the deluge of summer it receives;
His mate feels the eggs beneath her wings,
And the heart in her dumb breast flutters and sings;
He sings to the wide world, and she to her nest...

Casabianca

The boy stood on the burning deck,
Whence all but he had fled;
The flame that lit the battle’s wreck,
Shone round him o’er the dead.

Yet beautiful and bright he stood,
As born to rule the storm;
A creature of heroic blood,
A proud, though childlike form.

The flames rolled on – he would not go,
Without his father’s word;
That father, faint in death below,
His voice no longer heard.

He called aloud – ‘Say, father, say
If yet my task is done?’
He knew not that the chieftain lay
Unconscious of his son.

‘Speak, father!’ once again he cried,
‘If I may yet be gone!’
– And but the booming shots replied,
And fast the flames rolled on.

Upon his brow he felt their breath
And in his waving hair;
And look’d from that lone post of death,
In still yet brave despair.

And shouted but once more aloud,
‘My father! must I stay?’
While o’er him fast, through sail and shroud,
The wreathing fires made way.

They wrapped the ship in splendour wild,
They caught the flag on high,
And streamed above the gallant child,
Like banners in the sky.

There came a burst of thunder sound –
The boy – oh! where was he?
Ask of the winds that far around
With fragments strewed the sea!

With mast, and helm, and pennon fair,
That well had borne their part,
But the noblest thing which perished there,
Was that young faithful heart.

I am reposting this Empson poem because Michael Wood has a new book out about Empson's critical writing,  The Codebreaker - On the critical legacy of William Empson.

The Last Pain

This last pain for the damned the Fathers found:
"They knew the bliss with which they were not crowned."
Such, but on earth, let me foretell,
Is all, of heaven or of hell.

Man, as the prying housemaid of the soul,
May know her happiness by eye to hole;
He's safe; the key is lost; he knows
Door will not open, nor hole close.

"What is conceivable can happen too,"
Said Wittgenstein, who had not dreamt of you;
But wisely; if we worked it long
We should forget where it was wrong.

Those thorns are crowns which, woven into knots,
Crackle under and soon boil fool's pots;
And no man's watching, wise and long,
Would ever stare them into song.

Thorns burn to a consistent ash, like man;
A splendid cleanser for the frying-pan:
And those who leap from pan to fire
Should this brave opposite admire.

All those large dreams by which men long live well
Are magic-lanterned on the smoke of hell;
This then is real, I have implied,
A painted, small, transparent slide.

These the inventive can hand-paint at leisure,
Or most emporia would stock our measure;
And feasting in their dappled shade
We should forget how they were made.

Feign then what's by a decent tact believed,
And act that state is only so conceived,
And build an edifice of form
For house where phantoms may keep warm.

Imagine, then, by miracle, with me,
(Ambiguous gifts, as what gods give must be)
What could not possibly be there,
And learn a style from a despair.

Maggie's Farmers are fans of William Empson, more for his books than for his poetry. For many of us, his 7 Types of Ambiguity (written at age 22) opened a door to a new world. A commenter here claimed that his The Structure of Complex Words is the best book ever written. Better check it out.

Breathes There The Man... from The Lay Of The Last Minstrel

Breathes there the man, with soul so dead,
Who never to himself hath said,
'This is my own, my native land!'
Whose heart hath ne'er within him burned,
As home his footsteps he hath turned,
From wandering on a foreign strand!
If such there breathe, go, mark him well;
For him no Minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch, concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust, from whence he sprung,
Unwept, unhonoured, and unsung. 

The Death of the Hired Man (1915)

You can hear Frost read the poem here. 

Mary sat musing on the lamp-flame at the table  
Waiting for Warren. When she heard his step,  
She ran on tip-toe down the darkened passage  
To meet him in the doorway with the news  
And put him on his guard. “Silas is back.”           
She pushed him outward with her through the door  
And shut it after her. “Be kind," she said.  
She took the market things from Warren’s arms  
And set them on the porch, then drew him down  
To sit beside her on the wooden steps.            

I hunted down a misquote ("Beware the wrath of patient men") that was quoted in a piece linked at American Digest, and learned that it was from a Dryden epic, possibly a satirical one,  Absalom and Achitophel.

John Dryden was the literary giant of his time. He influenced many, especially Pope, and knew Marvell and Milton. Never read any Dryden - just one of countless holes in my education.

The fragment goes like this: 

Oh that my Pow'r to Saving were confin’d:
Why am I forc’d, like Heav’n, against my mind,
To make Examples of another Kind?
Must I at length the Sword of Justice draw?
Oh curst Effects of necessary Law!
How ill my Fear they by my Mercy scan,
Beware the Fury of a Patient Man.

Lots of Dryden fragments and quotes here to get a sense of his clear, forceful style. He liked heroic couplets.

Thanks to Vanderleun. Somehow, I never knew this Tennyson poem. We all have regretful knowledge lacunae but we fight them daily. In sophomore (required) Public Speaking, part of that course was to memorize and recite a poem, an epic fragment (choice of Milton, Homer, Chaucer, Virgil, Hesiod, or Dante), or a Shakespeare soliloquy, each month. I have a few Shakespeare sonnets permanently in my hippocampus. Wish I had found this Tennyson then.  The Sparks Notes re Ulysses.

Ulysses

 It little profits that an idle king,
By this still hearth, among these barren crags,
Match’d with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.

I cannot rest from travel: I will drink
Life to the lees: All times I have enjoy’d
Greatly, have suffer’d greatly, both with those
That loved me, and alone, on shore, and when
Thro’ scudding drifts the rainy Hyades
Vext the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honour’d of them all;
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethro’
Gleams that untravell’d world whose margin fades
For ever and forever when I move.
How dull it is to pause, to make an end,
To rust unburnish’d, not to shine in use!
As tho’ to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.

   This is my son, mine own Telemachus,
To whom I leave the sceptre and the isle,—
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and thro’ soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

   There lies the port; the vessel puffs her sail:
There gloom the dark, broad seas. My mariners,
Souls that have toil’d, and wrought, and thought with me—
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads—you and I are old;
Old age hath yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
’Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Tho’ much is taken, much abides; and tho’
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

Mending Wall

 Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbour know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
"Stay where you are until our backs are turned!"
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, "Good fences make good neighbours."

Spring is the mischief in me, and I wonder
If I could put a notion in his head:
"Why do they make good neighbours? Isn't it
Where there are cows? But here there are no cows.
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn't love a wall,
That wants it down." I could say "Elves" to him,
But it's not elves exactly, and I'd rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father's saying,
And he likes having thought of it so well
He says again, "Good fences make good neighbours."

Frost is mocking his wall-loving neighbor, but also admits that he mends wall too - together with his neighbor. A reflection on boundaries of all sorts. We happen to have a (stone) wall mending project at hand. New England dry stone walls have always been fragile things because glacial residue tends towards rounded shapes.

 Ross Coggins composed "The Development Set" in 1976. Nothing has changed.

Excuse me, friends, I must catch my jet
I’m off to join the Development Set;
My bags are packed, and I’ve had all my shots
I have traveller’s checks and pills for the trots!

The Development Set is bright and noble
Our thoughts are deep and our vision global;
Although we move with the better classes
Our thoughts are always with the masses.

In Sheraton Hotels in scattered nations
We damn multi-national corporations;
injustice seems easy to protest
In such seething hotbeds of social rest.

We discuss malnutrition over steaks
And plan hunger talks during coffee breaks.
Whether Asian floods or African drought,
We face each issue with open mouth.

We bring in consultants whose circumlocution
Raises difficulties for every solution —
Thus guaranteeing continued good eating
By showing the need for another meeting.

The language of the Development Set
Stretches the English alphabet;
We use swell words like “epigenetic”
“Micro”, “macro”, and “logarithmetic”

It pleasures us to be esoteric —
It’s so intellectually atmospheric!
And although establishments may be unmoved,
Our vocabularies are much improved.

When the talk gets deep and you’re feeling numb,
You can keep your shame to a minimum:
To show that you, too, are intelligent
Smugly ask, “Is it really development?”

Or say, “That’s fine in practice, but don’t you see:
It doesn’t work out in theory!”
A few may find this incomprehensible,
But most will admire you as deep and sensible.

Development set homes are extremely chic,
Full of carvings, curios, and draped with batik.
Eye-level photographs subtly assure
That your host is at home with the great and the poor.

Enough of these verses – on with the mission!
Our task is as broad as the human condition!
Just pray god the biblical promise is true:
The poor ye shall always have with you.

Lot's Wife

And the just man trailed God's shining agent,
over a black mountain, in his giant track,
while a restless voice kept harrying his woman:
'It's not too late, you can still look back

at the red towers of your native Sodom,
the square where once you sang, the spinning-shed,
at the empty windows set in the tall house
where sons and daughters blessed your marriage-bed.'
A single glance: a sudden dart of pain
stitching her eyes before she made a sound...
Her body flaked into transparent salt,
and her swift legs rooted to the ground.

Who will grieve for this woman? Does she not seem
too insignificant for our concern?
Yet in my heart I never will deny her,
who suffered death because she chose to turn.

A garden at the HQ this week

What is so rare as a day in June?

And what is so rare as a day in June?
Then, if ever, come perfect days;
Then Heaven tries earth if it be in tune,
And over it softly her warm ear lays;
Whether we look, or whether we listen,
We hear life murmur, or see it glisten;
Every clod feels a stir of might,
An instinct within it that reaches and towers,
And, groping blindly above it for light,
Climbs to a soul in grass and flowers;
The flush of life may well be seen
Thrilling back over hills and valleys;
The cowslip startles in meadows green,
The buttercup catches the sun in its chalice,
And there's never a leaf nor a blade too mean
To be some happy creature's palace;
The little bird sits at his door in the sun,
Atilt like a blossom among the leaves,
And lets his illumined being o'errun
With the deluge of summer it receives;
His mate feels the eggs beneath her wings,
And the heart in her dumb breast flutters and sings;
He sings to the wide world, and she to her nest,
In the nice ear of Nature which song is the best?

Now is the high-tide of the year,
And whatever of life hath ebbed away
Comes flooding back with a ripply cheer,
Into every bare inlet and creek and bay;
Now the heart is so full that a drop overfills it,
We are happy now because God wills it;
No matter how barren the past may have been,
'Tis enough for us now that the leaves are green;
We sit in the warm shade and feel right well
How the sap creeps up and the blossoms swell;
We may shut our eyes but we cannot help knowing
That skies are clear and grass is growing;
The breeze comes whispering in our ear,
That dandelions are blossoming near,
That maize has sprouted, that streams are flowing,
That the river is bluer than the sky,
That the robin is plastering his house hard by;
And if the breeze kept the good news back,
For our couriers we should not lack;
We could guess it all by yon heifer's lowing,
And hark! How clear bold chanticleer,
Warmed with the new wine of the year,
Tells all in his lusty crowing!

Joy comes, grief goes, we know not how;
Everything is happy now,
Everything is upward striving;
'Tis as easy now for the heart to be true
As for grass to be green or skies to be blue,
'Tis for the natural way of living:
Who knows whither the clouds have fled?
In the unscarred heaven they leave not wake,
And the eyes forget the tears they have shed,
The heart forgets its sorrow and ache;
The soul partakes the season's youth,
And the sulphurous rifts of passion and woe
Lie deep 'neath a silence pure and smooth,
Like burnt-out craters healed with snow.

The Sicilian Mariner's Prayer

O Sanctissima O Piissima
Dulcis Virgo Maria
Mater amta intemerata
Ora ora pro nobis

Tota pulchraes O Maria
Et macula non est in te
Mater anmata intemerata
Ora ora pro nobis

Sicut lilium inter spinas
Sic Maria inter filias
Mater amata intemerata
Ora ora pro nobis

In miseria in angustia
Ora Virgo pro nobis
Pro nobis ora in mortis hora
Ora ora pro nobis

O Sanctissima has been set to music as The Sicilan Mariner's Hymn to the Virgin. (h/t, a piece at Sippican a while ago.)

William Shakespeare (1564-1616)

If we are mark’d to die, we are enow
To do our country loss; and if to live
The fewer men, the greater share of honour.
God’s will! I pray thee, wish not one man more.
By Jove, I am not covetous for gold,
Nor care I who doth feed upon my cost;
It yearns me not if men my garments wear;
Such outward things dwell not in my desires.
But if it be a sin to covet honour,
I am the most offending soul alive.
No, faith, my coz, wish not a man from England.
God’s peace! I would not lose so great an honour
As one man more, methinks, would share from me
For the best hope I have. O, do not wish one more!
Rather proclaim it, Westmoreland, through my host,
That he which hath no stomach to this fight,
Let him depart; his passport shall be made
And crowns for convoy put into his purse:
We would not die in that man’s company
That fears his fellowship to die with us.
This day is call’d the feast of Crispian:
He that outlives this day, and comes safe home,
Will stand a tip-toe when this day is named,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbors,
And say ‘To-morrow is Saint Crispian.’
Then he will strip his sleeve and show his scars,
And say ‘These wounds I had on Crispin’s day.’
Old men forget: yet all shall be forgot,
But he’ll remember with advantages
What feats he did that day: then shall our names
Familiar in his mouth as household words:
Harry the king, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester,
Be in their flowing cups freshly remember’d,
This story shall the good man teach his son;
And Crispin Crispian shall ne’er go by,
From this day to the ending of the world,
But we in it shall be remembered;
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne’er so vile,
This day shall gentle his condition.
And gentlemen in England now a-bed
Shall think themselves accursed they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin’s day.

SONNET 74

But be contented: when that fell arrest
Without all bail shall carry me away,
My life hath in this line some interest,
Which for memorial still with thee shall stay.
When thou reviewest this, thou dost review
The very part was consecrate to thee:
The earth can have but earth, which is his due;
My spirit is thine, the better part of me:
So then thou hast but lost the dregs of life,
The prey of worms, my body being dead,
The coward conquest of a wretch's knife,
Too base of thee to be remembered.
   The worth of that is that which it contains,
   And that is this, and this with thee remains. 

A few clarifying notes on # 74

In Memoriam A.H.H.

(It's a lengthy piece about the death of his best friend, with many oft-quoted lines, which Tennyson wrote over 17 years. The remarkable work begins like this - the whole poem is here)

Strong Son of God, immortal Love,
    Whom we, that have not seen thy face,
    By faith, and faith alone, embrace,
Believing where we cannot prove;

Thine are these orbs of light and shade;
    Thou madest Life in man and brute;
    Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
    Thou madest man, he knows not why,
    He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
    The highest, holiest manhood, thou:
    Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
    They have their day and cease to be:
    They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
    For knowledge is of things we see;
    And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
    But more of reverence in us dwell;
    That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
    We mock thee when we do not fear:
    But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seemed my sin in me;
    What seem'd my worth since I began;
    For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
    Thy creature, whom I found so fair.
    I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,
    Confusions of a wasted youth;
    Forgive them where they fail in truth,
And in thy wisdom make me wise.

Reading together one day for delight
Of Lancelot, caught up in love’s sweet snare,
We were alone, with no thought of what might
Occur to us, although we stopped to stare
Sometimes at what we read, and even paled.
But then the moment came we turned a page
And all our powers of resistance failed:
When we read of that great knight in a rage
To kiss the smile he so desired, Paolo,
This one so quiet now, made my mouth still—
Which, loosened by those words, had trembled so—
With his mouth. And right then we lost the will—
For love can will will’s loss, as well you know—
To read on. But let that man take a bow
Who wrote the book we called our Galahad,
The reason nothing can divide us now.

Here's a good brief essay on Dante translations: Dante: The Most Vivid Version.

Image on top is Domenico di Michelino: Dante Reading from the ‘Divine Comedy,’ 1465. Note that the lantern on top of Brunelleschi's dome is completed.

Notes On The Art Of Poetry

I could never have dreamt that there were such goings-on
in the world between the covers of books,
such sandstorms and ice blasts of words,
such staggering peace, such enormous laughter,
such and so many blinding bright lights,
splashing all over the pages
in a million bits and pieces
all of which were words, words, words,
and each of which were alive forever
in its own delight and glory and oddity and light. 

Sailing to Byzantium (1933)

I

That is no country for old men. The young
In one another's arms, birds in the trees,
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.

II

An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.

III

O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.

IV

Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

(Neoneo was reminded of this poem, here.) The first verse feels stolen from Hopkins, doesn't it?

Confession

I love you, though I rage at it,
Though it is shame and toil misguided,
And to my folly self-derided
Here at your feet I will admit!
It ill befits my years, my station,
Good sense has long been overdue!
And yet, by every indication
Love's plague has stricken me anew:
You're out of sight---I fall to yawning;
You're here---I suffer and feel blue,
And barely keep myself from owning,
Dear elf, how much I care for you!
Why, when your guileless girlish chatter
Drifts from next door your airy tread,
Your rustling dress, my senses scatter
And I completely lose my head.
You smile---I flush with exultation;
You turn away---I'm plunged in gloom,
Your pallid hand is compensation
For a whole day of fancied doom.
When to the frame with artless motion
You bend to cross-stitch, all devotion,
Your eyes and ringlets down-beguiled,
My heart goes out in mute emotion,
Rejoicing in you like a child!
Dare I confess to you my sighing,
How jealously I chafe and balk
When you set forth, defying
Bad weather, on a lengthy walk?
And then your solitary crying,
Those twosome whispers out of sight,
Your carriage to Opochka plying,
And the piano late at night...
Aline! I ask but to be pitied,
I do not dare to plead for love;
Love, for the sins I have committed,
I am perhaps unworthy of.
But make believe! Your gaze, dear elf,
Is fit to conjure with, believe me!
Ah, it is easy to deceive me!...
I long to be deceived myself!

Refresh your memory about the father of Russian literature here.

Dover Beach (c. 1867)

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand;
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the A gaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

Good Bye and Keep Cold

  This saying good-bye on the edge of the dark
And cold to an orchard so young in the bark
Reminds me of all that can happen to harm
An orchard away at the end of the farm
All winter, cut off by a hill from the house.
I don't want it girdled by rabbit and mouse,
I don't want it dreamily nibbled for browse
By deer, and I don't want it budded by grouse.
(If certain it wouldn't be idle to call
I'd summon grouse, rabbit, and deer to the wall
And warn them away with a stick for a gun.)
I don't want it stirred by the heat of the sun.
(We made it secure against being, I hope,
By setting it out on a northerly slope.)
No orchard's the worse for the wintriest storm;
But one thing about it, it mustn't get warm.
"How often already you've had to be told,
Keep cold, young orchard. Good-bye and keep cold.
Dread fifty above more than fifty below."
I have to be gone for a season or so.
My business awhile is with different trees,
Less carefully nourished, less fruitful than these,
And such as is done to their wood with an axe--
Maples and birches and tamaracks.

I wish I could promise to lie in the night
And think of an orchard's arboreal plight
When slowly (and nobody comes with a light)
Its heart sinks lower under the sod.
But something has to be left to God.

The Journey of the Magi, T. S. Eliot (1927)

 'A cold coming we had of it,
Just the worst time of the year
For a journey, and such a long journey:
The ways deep and the weather sharp,
The very dead of winter.'
And the camels galled, sore-footed, refractory,
Lying down in the melting snow.
There were times we regretted
The summer palaces on slopes, the terraces,
And the silken girls bringing sherbet.
Then the camel men cursing and grumbling
And running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly
And the villages dirty and charging high prices:
A hard time we had of it.
At the end we preferred to travel all night,
Sleeping in snatches,
With the voices singing in our ears, saying
That this was all folly.

Then at dawn we came down to a temperate valley,
Wet, below the snow line, smelling of vegetation;
With a running stream and a water-mill beating the darkness,
And three trees on the low sky,
And an old white horse galloped away in the meadow.
Then we came to a tavern with vine-leaves over the lintel,
Six hands at an open door dicing for pieces of silver,
And feet kicking the empty wine-skins.
But there was no information, and so we continued
And arrived at evening, not a moment too soon
Finding the place; it was (you may say) satisfactory.

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.

(Some commentary here.)

Painting above is Fra Angelico's Adoration of the Magi