Maggie's Farm

A buddy had an Aussie field biologist friend who used to like to get drunk and recite this potty-mouth ditty around the campfire to much merriment: The Bastard from the Bush.

It's a new one to me, but probably all Aussies know it by heart.

We have written about Bryant here before," romantic poet, journalist, and long-time editor of the New York Evening Post." He was a prominent abolitionist, and a long-time resident of the Great Barrington area of the Berkshires. This is doubtless a Berkshire summer poem/

Summer Wind

It is a sultry day; the sun has drank

The dew that lay upon the morning grass,

There is no rustling in the lofty elm

That canopies my dwelling, and its shade

Scarce cools me. All is silent, save the faint

And interrupted murmur of the bee,

Settling on the sick flowers, and then again

Instantly on the wing. The plants around

Feel the too potent fervors; the tall maize

Rolls up its long green leaves; the clover droops

Its tender foliage, and declines its blooms.

But far in the fierce sunshine tower the hills,

With all their growth of woods, silent and stern,

As if the scortching heat and dazzling light

Were but an element they loved. Bright clouds,

Motionless pillars of the brazen heaven;--

Their bases on the mountains--their white tops

Shining in the far ether--fire the air

With a reflected radiance, and make turn

The gazer's eye away. For me, I lie

Languidly in the shade, where the thick turf,

Yet virgin from the kisses of the sun,

Retains some freshness, and I woo the wind

That still delays its coming. Why so slow,

Gentle and voluble spirit of the air?

Oh, come and breathe upon the fainting earth

Coolness and life. Is it that in his caves

He hears me? See, on yonder woody ridge,

The pine is bending his proud top, and now,

Among the nearer groves, chesnut and oak

Are tossing their green boughs about. He comes!

Lo, where the grassy meadow runs in wives!

The deep distressful silence of the scene

Breaks up with mingling of unnumbered sounds

And universal motion. He is come,

Shaking a shower of blossoms from the shrubs,

And bearing on the fragrance; and he brings

Music of birds, and rustling of young boughs,

And soun of swaying branches, and the voice

Of distant waterfalls. All the green herbs

Are stirring in his breath; a thousand flowers,

By the road-side and the borders of the brook,

Nod gaily to each other; glossy leaves

Are twinkling in the sun, as if the dew

Were on them yet, and silver waters break

Into small waves and sparkle as he comes.

The Screw-Guns

(A Screw-Gun was a small mountain ("mounting") cannon. Like many of Kipling's poems, this has been put to music, with wonderful success. Sadly, I cannot find a Youtube or midi-file of the tune, but I can hum it for you.) 

Smokin' my pipe on the mountings, sniffin' the mornin' cool,
I walks in my old brown gaiters along o' my old brown mule,
With seventy gunners be'ind me, an' never a beggar forgets
It's only the pick of the Army
that handles the dear little pets -

Refrain:

For you all love the screw-guns - the screw-guns they all love you!
So when we call round with a few guns,
o' course you will know what to do
Jest send in your Chief an' surrender -
it's worse if you fights or you runs:
You can go where you please, you can skid up the trees,
but you don't get away from the guns!

They sends us along where the roads are, but mostly we goes where they ain't:
We'd climb up the side of a sign-board an' trust to the stick o' the paint:
We've chivied the Naga an' Looshai, we've give the Afreedeeman fits,
For we fancies ourselves at two thousand,
we guns that are built in two bits -
For you all love the screw-guns . . .

If a man doesn't work, why, we drills 'im an' teaches 'im 'ow to behave;
If a beggar can't march, why, we kills 'im an' rattles 'im into 'is grave.
You've got to stand up to our business an' spring without snatchin' or fuss.
D'you say that you sweat with the field-guns?
By God, you must lather with us -
For you all love the screw-guns . . .

The eagles is screamin' around us, the river's a-moanin' below,
We're clear o' the pine an' the oak-scrub,
we're out on the rocks an' the snow,
An' the wind is as thin as a whip-lash what carries away to the plains
The rattle an' stamp o' the lead-mules -
the jinglety-jink o' the chains -
For you all love the screw-guns . . .

To be read aloud - even if alone. Coleridge, 1798. Coleridge was a sort-of Transcendentalist.

PART ONE

IT IS an ancient Mariner,
And he stoppeth one of three.
'By thy long grey beard and glittering eye,
Now wherefore stopp'st thou me?

The Bridegroom's doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
May'st hear the merry din.'

He holds him with his skinny hand,
'There was a ship,' quoth he.
'Hold off! unhand me, grey-beard loon!'
Eftsoons his hand dropt he.

He holds him with his glittering eye--
The Wedding-Guest stood still,
And listens like a three years' child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

Two in the Campagna

I wonder how you feel to-day
As I have felt since, hand in hand,
We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?

For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.

Help me to hold it! First it left
The yellow fennel, run to seed
There, branching from the brickwork’s cleft,
Some old tomb’s ruin: yonder weed
Took up the floating weft,

Where one small orange cup amassed
Five beetles, -blind and green they grope
Among the honey meal: and last,
Everywhere on the grassy slope
O traced it. Hold it fast!

The champaign with its endless fleece
Of feathery grasses everywhere!
Silence and passion, joy and peace,
An everlasting wash of air-
Rome’s ghost since her decease.

Such life here, through such lengths of hours,
Such miracles performed in play,
Such primal naked forms of flowers,
Such letting nature have her way
While heaven looks from its towers!

How say you? Let us, O my dove,
Let us be unashamed of soul,
As earth lies bare to heaven above!
How is it under our control
To love or not to love?
I would that you were all to me,
You that are just so much, no more.
Nor yours nor mine, nor slave nor free!
Where does the fault lie? What the core
O’ the wound, since wound must be?

I would I could adopt your will,
See with your eyes, and set my heart
Beating by yours, and drink my fill
At your soul’s springs, - your part my part
In life, for good and ill.

No. I yearn upward, touch you close,
Then stand away. I kiss your cheek,
Catch your soul’s warmth, - I pluck the rose
And love it more than tongue can speak-
Then the good minute goes.

Already how am I so far
Our of that minute? Must I go
Still like the thistle-ball, no bar,
Onward, whenever light winds blow,
Fixed by no friendly star?

Just when I seemed about to learn!
Where is the thread now? Off again!
The Old trick! Only I discern-
Infinite passion, and the pain
Of finite hearts that yearn.

Sonnet 18

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.

Photo is a beach we frequent on Wellfleet Harbor. At low tide, it's all oyster mudflats and the boats here lie on their sides in the mud. The tidal differences in Cape Cod Bay can be as much as 6-12', depending on the moon cycle and location. Where are all the people? Wellfleet beaches have lots of privacy, few people.

Photo is a Peregrine Falcon

Gone to the Unseen (trans. Jonathan Star)

At last you have departed and gone to the Unseen.
What marvelous route did you take from this world?

Beating your wings and feathers,
you broke free from this cage.
Rising up to the sky
you attained the world of the soul.
You were a prized falcon trapped by an Old Woman.
Then you heard the drummer's call
and flew beyond space and time.

As a lovesick nightingale, you flew among the owls.
Then came the scent of the rosegarden
and you flew off to meet the Rose.

The wine of this fleeting world
caused your head to ache.
Finally you joined the tavern of Eternity.
Like an arrow, you sped from the bow
and went straight for the bull's eye of bliss.

This phantom world gave you false signs
But you turned from the illusion
and journeyed to the land of truth.

You are now the Sun -
what need have you for a crown?
You have vanished from this world -
what need have you to tie your robe?

I've heard that you can barely see your soul.
But why look at all? -
yours is now the Soul of Souls!

O heart, what a wonderful bird you are.
Seeking divine heights,
Flapping your wings,
you smashed the pointed spears of your enemy.

The flowers flee from Autumn, but not you -
You are the fearless rose
that grows amidst the freezing wind.

Pouring down like the rain of heaven
you fell upon the rooftop of this world.
Then you ran in every direction
and escaped through the drain spout . . .

Now the words are over
and the pain they bring is gone.
Now you have gone to rest
in the arms of the Beloved.

A Sheaf Of Snakes Used Heretofore To Be My Seal, The Crest Of Our Poor Family

ADOPTED in God's family and so
Our old coat lost, unto new arms I go.
The Cross—my seal at baptism—spread below
Does, by that form, into an Anchor grow.
Crosses grow Anchors; bear, as thou shouldest do
Thy Cross, and that Cross grows an Anchor too.
But He that makes our Crosses Anchors thus,
Is Christ, who there is crucified for us.
Yet may I, with this, my first serpents hold;
God gives new blessings, and yet leaves the old.
The serpent may, as wise, my pattern be;
My poison, as he feeds on dust, that's me.
And, as he rounds the earth to murder sure,
My death he is, but on the Cross, my cure.
Crucify nature then, and then implore
All grace from Him, crucified there before;
Then all is Cross, and that Cross Anchor grown;
This seal's a catechism, not a seal alone.
Under that little seal great gifts I send,
Works, and prayers, pawns, and fruits of a friend.
And may that saint which rides in our great seal,
To you who bear his name, great bounties deal !

Recessional

God of our fathers, known of old--
   Lord of our far-flung battle line
Beneath whose awful hand we hold
   Dominion over palm and pine--
Lord God of Hosts, be with us yet,
Lest we forget - lest we forget!

The tumult and the shouting dies;
   The captains and the kings depart:
Still stands Thine ancient sacrifice,
   An humble and a contrite heart.
Lord God of Hosts, be with us yet,
Lest we forget - lest we forget!

Far-called, our navies melt away;
   On dune and headland sinks the fire:
Lo, all our pomp of yesterday
   Is one with Nineveh and Tyre!
Judge of the Nations, spare us yet,
Lest we forget - lest we forget!

If, drunk with sight of power, we loose
   Wild tongues that have not Thee in awe--
Such boasting as the Gentiles use
   Or lesser breeds without the law--
Lord God of Hosts, be with us yet,
Lest we forget - lest we forget!

For heathen heart that puts her trust
   In reeking tube and iron shard--
All valiant dust that builds on dust,
   And guarding, calls not Thee to guard--
For frantic boast and foolish word,
Thy mercy on Thy people, Lord!

Posted today because Driscoll recently linked Derbyshire's 2002 post on Kipling's poem which had been written for the 1897 Diamond Jubilee of Queen Victoria. Many do not know that Kipling later became a resident of Vermont for many years.

Mowing

There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.
What was it it whispered?  I knew not well myself;
Perhaps it was something about the heat of the sun,
Something, perhaps, about the lack of sound---
And that was why it whispered and did not speak.
It was no dream of the gift of idle hours,
Or easy gold at the hand of fay or elf:
Anything more than the truth would have seemed too weak
To the earnest love that laid the swale in rows,
Not without feeble-pointed spikes of flowers
(Pale orchises), and scared a bright green snake.
The fact is the sweetest dream that labor knows.
My long scythe whispered and left the hay to make.

Aubade

I work all day, and get half drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain edges will grow light.
Till then I see what's really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.

The mind blanks at the glare. Not in remorse
- The good not used, the love not given, time
Torn off unused - nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never:
But at the total emptiness forever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says no rational being
Can fear a thing it cannot feel, not seeing
that this is what we fear - no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anaesthetic from which none come round.

And so it stays just on the edge of vision,
A small unfocused blur, a standing chill
That slows each impulse down to indecision
Most things may never happen: this one will,
And realisation of it rages out
In furnace fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no-one off the grave.
Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can't escape
Yet can't accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.

We were reminded of this Larkin poem by Dick Cavett's NYT blog post about his Yale reunion.

Root Cellar

Lepanto (1915)

     White founts falling in the Courts of the sun,
     And the Soldan of Byzantium is smiling as they run;
     There is laughter like the fountains in that face of all men feared,
     It stirs the forest darkness, the darkness of his beard;
     It curls the blood-red crescent, the crescent of his lips;
     For the inmost sea of all the earth is shaken with his ships.
     They have dared the white republics up the capes of Italy,
     They have dashed the Adriatic round the Lion of the Sea,
     And the Pope has cast his arms abroad for agony and loss,
     And called the kings of Christendom for swords about the Cross.
     The cold queen of England is looking in the glass;
     The shadow of the Valois is yawning at the Mass;
     From evening isles fantastical rings faint the Spanish gun,
     And the Lord upon the Golden Horn is laughing in the sun.

(Read the rest on continuation page below. Image of the second-most famous naval battle in history (1571), familiar to every schoolchild, is by an unknown artist.)

The World is Too Much With Us (1807)

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon,
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not. Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.

It's never too late for an Easter poem. I found this, the first Walcott poem I have read, at Mead's site.

Easter
(From Collected Poems 1948-1984.)

Anna, my daughter,
you have a black dog
that noses your heel,
selfless as a shadow;
here is a fable
about a black dog:
On the last sunrise
the shadow dressed with Him,
it stretched itself also—
they were two big men
with one job to do.
But life had been lent to one
only for this life.
They strode in silence toward
uncontradicting night.
The rats at the Last Supper
shared crumbs with their shadows,
the shadow of the bread
was shared by the bread;
when the candles lowered,
the shadow felt larger,
so He ordered it to leave;
He said where He was going
it would not be needed,
for there there’d be either
radiance or nothing.
It stopped when He turned
and ordered it home,
then it resumed the scent;
it felt itself stretching
as the sun grew small
like the eyes of the soldiers
receding into holes
under the petrified
serpents on their helmets;
the narrowing pupils
glinted like nailheads,
so before He lay back
it crept between the wood
as if it were the pallet
they had always shared;
it crept between the wood
and the flesh nailed to the wood
and it rose like a black flag
as the crossbeam hoisted
itself and the eyes
closed very slowly
extinguishing the shadow—
everything was nothing.
Then the shadow slunk away,
crawling low on its belly,
and it left there knowing
that never again
would He ever need it;
it reentered the earth,
it didn’t eat for three days,
it didn’t go out,
then it peeped out carefully
like a mole from its hole,
like a wolf after winter,
like a surreptitious serpent,
looking for those forms
that could give back its shape;
then it ran out when the bells
began making wide rings
and rings of radiance;
it keeps nosing for His shape
and it finds it again, in
the white echo of a pigeon
with its wings extended
like a shirt on a clothesline,
like a white shirt on Monday
dripping from a clothesline,
like the greeting of a scarecrow
or a man yawning
at the end of a field.

My Wife

Trusty, dusky, vivid, true,
With eyes of gold and bramble-dew,
Steel-true and blade-straight,
The great artificer
Made my mate.

Honour, anger, valour, fire,
A love that life could never tire,
Death quench or evil stir,
The mighty Master
Gave to her.

Teacher, tender comrade, wife,
A fellow-farer true through life,
Heart-whole and soul-free,
The august Father gave to me.

I had something else in the pipeline for today, but I could not resist this offering from Stevenson from our reader MM.

Death Be Not Proud

Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think'st thou dost overthrow,
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure; then from thee much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and soul's delivery.
Thou art slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell;
And poppy or charms can make us sleep as well
And better than thy stroke; why swell'st thou then?
One short sleep past, we wake eternally,
And death shall be no more; Death, thou shalt die.

John Donne

God's Grandeur

The world is charged with the grandeur of God.
        It will flame out, like shining from shook foil;
        It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
        And all is seared with trade; Bleared, smeared with toil;
        And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
        There lives the dearest freshness deep down things;
And though the last lights off the black West went
        Oh, morning, at the brown brink eastward, springs —
Because the Holy Ghost over the bent
         World broods with warm breast and with ah! bright wings.

Are You Content?

I call on those that call me son,
Grandson, or great-grandson,
On uncles, aunts, great-uncles or great-aunts,
To judge what I have done.
Have I, that put it into words,
Spoilt what old loins have sent?
Eyes spiritualised by death can judge,
I cannot, but I am not content.
He that in Sligo at Drumcliff
Set up the old stone Cross,
That red-headed rector in County Down,
A good man on a horse,
Sandymount Corbets, that notable man
Old William Pollexfen,
The smuggler Middleton, Butlers far back,
Half legendary men.
Infirm and aged I might stay
In some good company,
I who have always hated work,
Smiling at the sea,
Or demonstrate in my own life
What Robert Browning meant
By an old hunter talking with Gods;
But I am not content.

To a Skylark (1825)

          ETHEREAL minstrel! pilgrim of the sky!
          Dost thou despise the earth where cares abound?
          Or, while the wings aspire, are heart and eye
          Both with thy nest upon the dewy ground?
          Thy nest which thou canst drop into at will,
          Those quivering wings composed, that music still!

          Leave to the nightingale her shady wood;
          A privacy of glorious light is thine;
          Whence thou dost pour upon the world a flood
          Of harmony, with instinct more divine;                      10
          Type of the wise who soar, but never roam;
          True to the kindred points of Heaven and Home!

Image is Turner's Childe Harold's Pilgrimage (1823)

A "childe" is a youth on the career track to become a knight. Our Massachusetts Maine friend Sipp brought Byron's (George Gordon, Lord Byron) masterpiece Childe Harold to mind with his killer quote from Canto 3 of the epic:

He who, grown aged in this world of woe,
In deeds, not years, piercing the depths of life,
So that no wonder waits him; nor below
Can love or sorrow, fame, ambition, strife,
Cut to his heart again with the keen knife
Of silent, sharp endurance: he can tell
Why thought seeks refuge in lone caves, yet rife
With airy images, and shapes which dwell
Still unimpaired, though old, in the soul's haunted cell.

The entire narrative poem is here, but is best read in dead tree form. Better yet, read out loud. Lord Byron, like Dylan and Sippican and a bunch of other special people, has (or is, or was) an Old Soul - regardless of age. It's a gift - or maybe a curse. Maybe both.

Not Ideas About The Thing But The Thing Itself

At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.

He knew that he heard it,
A bird's cry, at daylight or before,
In the early March wind.

The sun was rising at six,
No longer a battered panache above snow...
It would have been outside.

It was not from the vast ventriloquism
Of sleep's faded papier-mache...
The sun was coming from the outside.

That scrawny cry--It was
A chorister whose c preceded the choir.
It was part of the colossal sun,

Surrounded by its choral rings,
Still far away. It was like
A new knowledge of reality.

Imagining It 

At eighteen, in Paris,
I just woke up out of a dream
just before dawn, and stepped through the long window
from my cold room with its red silk walls.
Shivering a little in my dressing gown,
I leaned on the balustrade
and, look, overnight a light snow had fallen;
no car had driven over it yet, it lay in the street
as white, as innocent, as snow on the open fields.

Then something approached with a calm rhythm
of hoof-beats made softer by the snow, the sound
of a quiet heart. It was a heaped-up wood cart
pulled by a gray horse who walked along slowly,
head down, while the driver
sat at the back of one shaft and hunched over
to light his cigarette.

                                  From above, I saw clearly
the lit match in the old man's cupped hands, its glow
on his long jaw, the small well of flame
between his living palms like the flare
of the soul in his body. He went on
down the street, and the sky went on
growing lighter, and I saw how he left
his dark tracks behind him on the whiteness
of the snow, just the lines of the two wheels,
slightly wavering, and the dints of the horse's hooves
between them, a writing in an undiscovered
language, something whose meaning
we feel sure we know, and still can't quite
translate.

                       When I stepped inside again,
I stopped thinking about love for a minute — I thought about it
almost all the time then — and thought instead
about being alive for a while in a world
with cobblestones, new snow, and the unconscious
poem printed by hooves on the maiden street.

Of course I was not yet ready to be grateful.

(Barnes lives in Maine. She is the daughter of Henry Beston, author of The Outermost House - a book that was a mainstay of my family. There is a brief interview with Barnes here, with a listing of her books.)