At New Criterion:
Well, this year, (Mrs.) Zuckerberg noted, the magazine would aim to make sure that “at least [at least] 70 percent of our contributors be women and 20 percent of our writers be poc,” i.e., “people of color,” i.e., not white. (But isn’t race merely a “social construction”? No, silly, that was last year.) And just how are those percentages going to be achieved? Well, going forward, Eidolon will ask people pitching stories for “demographics,” i.e., are you black or white? Male or female? “I have no interest,” Zuckerberg sermonized, “in providing bland and false reassurances that we only care about good ideas and good writing and not who our authors are.” Who would doubt it? And what about merit? “[A]ppeals to merit,” she said, are “often . . . white supremacist dog-whistles.” So: “If you’re white and we publish you, you will know, for maybe the first time in your career, that it was because of the merit of your idea and not because you’re white.”
We’d like to know if there are any cases of anyone anywhere being published in a classics journal because he (or even she) was white. Still, Zuckerberg’s destruction of Eidolon as a serious journal does raise an interesting question about the level of masochism among white classicists, especially white male classicists. Why would anyone of that description who was not a masochist submit work to a journal that is self-confessedly hostile to them? Indeed, why would anyone not a masochist read it?
