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Excellent, non-technical piece. (Thanks, reader.) It explains, among other things, why you get that "video look" with compact point-and-shoot cameras, which are incapable of the "pro look."
I shoot a Nikon D2Hs--a 4.1mp camera--and I have to tell you it rocks like sex and whiskey. It's a pro-body DSLR, but think about that--it's a 4.1mp camera!
If I keep my compositions tight I can print out to 13x19 (interpolated up) and the prints get noticed, I mean, they look good. I just shot a project for a friend, indoors under artificial, mixed light (no flash) at 800 ISO equivalent and there's no noise and the colors are great. And if I want graininess in a black and white photo, I shoot a higher ISO (with a neutral density filter), underexpose the image and bring the exposure up in post while converting to greyscale to make noise into a grain effect! That's a 4.1mp camera!
The files are small so they transfer quickly, batch edits in post are a snap, and they take up less room on my hard drives.
Plus, as Askey mentions in the article, if your sensor out resolves your lens it's just bringing out the flaws in the glass.
Paying for more sensor than you need, or worse, a big megapixel number with poor performance, well, that's crap.
Regarding compact cameras, sensors, and depth of field, I took this one with my Canon XTi:
Tracked: Nov 18, 11:06