Documentary filmmaker Errol Morris discusses the making of The Thin Blue Line in the NYT (h/t Neuroanthropology via Dr. X). My bolds:
Personally I have never been averse to the use of reconstruction, generic archive footage, still photographs, or whatever techniques exist or we can create for ourselves as film makers so that we can become better story tellers, but the unbreakable rule must surely be that the audience MUST always know what it is they are seeing, at least when it comes to documentary. I know that there is no such thing as objective truth, particularly when it comes to film-making, but if audiences are being tricked without their knowledge, and worse still, when the film makers themselves are unable to distinguish between fact, fiction and distortion, what chance will they or future generations have of being able to disinter even a semblance of truth about what happened?
Huh? If the guy is hopeless about facts and truth, why does he bother worrying, and why doesn't he simply call his own stuff "fiction"? This guy is an exemplar of the pomo notion of "narrative." I guess nobody killed the police officer, or maybe the chocolate shake did it - probably the same chocolate shake that shot JFK.
Al Gore, Michael Moore, Oliver Stone: all fully-conscious propagandists seeking to mess up the minds of the ignorant for their own purposes. Malignant people, clever but not wise.