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Saturday, July 7. 2007Saturday Verse: YeatsNo Second Troy Why should I blame her that she filled my days Trackbacks
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Yeats is one of those few poets who, even when you outgrow most of his work, it still lingers delightfully in the mind. There are times when I reach back to one of his poems for a quote that offers a bit of wisdom or joy. Thanks for a nice Saturday post, BD.
Fundamental difference between east & west: East says Helen should ugly herself, to save Troy. West says, grow up, and if you can't, then screw Troy, it ain't worth saving.
Yeats is my favorite. However, today while reading the above verse and looking down on a garden bathed in sunlight and shadow, I am reminded of this from Wordsworth--enjoy:
Though nothing can bring back the hour Of splendour in the grass, of glory in the flower; We will grieve not, rather find Strength in what remains behind; In the primal sympathy Which having been must ever be; In the soothing thoughts that spring Out of human suffering; In the faith that looks through death, In years that bring the philosophic mind. Anonymous:
We must be on a roll today...as I, too, love this poem. Though as I age more quickly, it seems, with each passing day the "...years that bring the philosophic mind," are like the years where I fight off remorse, regret, and disbelief at my own stupidities with increased does of faith and hope and love. Wordsworth, however, wrote some very fine, now seemingly, underappreciated poetry. Of faith, hope, and charity
--the greatest of these is . . . And, from my collection of Yeats' favorites: The Stolen Child WHERE dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water-rats; There we've hid our faery vats, Full of berries And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wave of moonlight glosses The dim grey sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances, Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And is anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wandering water gushes From the hills above Glen-Car,. In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To to waters and the wild With a faery, hand in hand, For to world's more full of weeping than you can understand. Away with us he's going, The solemn-eyed: He'll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal-chest. For he comes, the human child, To the waters and the wild With a faery, hand in hand, from a world more full of weeping than you can understand. Lots of Yeats fans here. And I was planning on posting a Rilke today.
In looking o’er my hot, verdant yard, seeing the birds wing past limbs that wave to and from seemingly in a dazed summer trance-dance but maybe in futile warning as we give scarce notice out of self-obsession or indulgence of easy, psychotic realities, what’s brought to my mind is O.N.’s sentiment that expresses both man’s basest fear and most fervent wish:
“I’ve never seen an abominable snowman, I’m hoping not to see one, I’m also hoping, if I do, That it will be a wee one.” My hot verdant yard needs mowing badly. However, Texas has decided to show soldarity with Bangladesh by having its first Monsoon Season ever.
Please don't drown in Third World sympathy. Let Walt handle the leaves of grass.
Wonderful to read poetry so well chosen. I second John Hetman's observation about Yeats--he sticks with one and offers wisdom besides his romanticism.
Ok, ok. This one is for Bird Dog, Buddy, Habu, and The Barrister. Well, now that I think about it --it is for some of the gals on this farm also! ;-)
I have always felt this one should have come from Mark Twain rather than Poe, but here it is anyway: ELDORADO – Edgar Allan Poe Gaily bedight, A gallant knight, In sunshine and in shadow, Had journeyed long, Singing a song, In search of Eldorado. But he grew old- This knight so bold- And o'er his heart a shadow Fell as he found No spot of ground That looked like Eldorado. And, as his strength Failed him at length, He met a pilgrim shadow- "Shadow," said he, "Where can it be- This land of Eldorado?" "Over the Mountains Of the Moon, Down the Valley of the Shadow, Ride, boldly ride," The shade replied- "If you seek for Eldorado!" -THE END- These are lovely poems and fine comments. May I submit some lines of one of my favorites by Thomas Gray:
The curfew tolls the knell of parting day, The lowing herd winds slowly o'er the lea, The ploughman homeward plods his weary way, And leaves the world to darkness and to me. Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds: Save that from yonder ivy-mantled tower The moping owl does to the moon complain Of such as, wandering near her secret bower, Molest her ancient solitary reign. From: "ELEGY WRITTEN IN A COUNTRY CHURCH-YARD" This poem amuses me. I don't think Yeats was quite as keen on Maud's nationalist rhetoric in 1916 as he was in 1912 (when he wrote the poem).
Although somewhat flattered by Yeats' attention, Maud Gonne never reciprocated his passion. Lucky for Yeats that she didn't as she represented an instant literary "state of mind" for him, a persistent mental & emotional archetype, that propelled his work for many years. I adore Yeats. I highly recommend R. F. Foster's two volume biography of Yeats: "A Life - The Apprentice Mage" vol. 1 & "A Life -The Arch Poet" vol 2.. Lesley: Is this what you are referring to?
Let Them Alone If God has been good enough to give you a poet Then listen to him. But for God's sake let him alone until he is dead; no prizes, no ceremony, They kill the man. A poet is one who listens To nature and his own heart; and if the noise of the world grows up around him, and if he is tough enough, He can shake off his enemies, but not his friends. That is what withered Wordsworth and muffled Tennyson, and would have killed Keats; that is what makes Hemingway play the fool and Faulkner forget his art. Robinson Jeffers Let them/ us alone:
"I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean rows will I have there, a hive for the honey bee, And live alone in the bee-loud glade. And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight 's all a-glimmer, and noon a purple glow, And evening full of the linnet's wings. I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements gray, I hear it in the deep heart's core." (Yeats) Lovely selections all around. The Poe raised goose bumps--always a sign one is paying attention.
Apple Pie - been thinking about "Let Them Alone"
For me, I find the more I know about Yeats' life, his friends, his family, Ireland's history, etc. the more meaningful his body of work becomes. I've chased him all over Ireland, going to the places he lived and worked, standing in his tower, observing wild swans at Coole Park, meandering through the seven woods, pounding the pavement in Dublin. As we were taught in our lit crit courses, the sociological approach is only one way to interpret literature. However, in Yeats' case, some much of what he had to say was autobiographical/sociological. Nevertheless, his final poem, stands (formalist approach) on its own... Politics 1939 ('In our time the destiny of man presents its meaning in political terms.' Thomas Mann) How can I, that girl standing there, My attention fix On Roman or on Russian Or on Spanish politics, Yet here's a travelled man that knows What he talks about, And there's a politician That has both read and thought, And maybe what they say is true Of war and war's alarms, But O that I were young again And held her in my arms. BTW My fantasy
A BBC series, with the quality of Brideshead Revisited, youngerish Yeats played by Daniel Day Lewis, olderish Yeats played by Peter O'Toole. Vanessa Redgrave would have been a perfect Maud Gonne twenty years prior. Damn. Well it's not on DVD, but you have it well in your mind. And there, it's all yours. Start writing a script, maybe magic will take you over. Could happen. Has happened.
Lesley:
Glendaloch--sunup 1976. YOu could hear them still. No fences, no ticket gates; just park the car get out and start to walk up the narrow little valley where a few kept the best alive for all. Twilight stillness--no one else waiting for the sun. Would love to have a story of Yeats' life: Yes, Vanessa would have been wonderful--but, I think perhaps Nicole Kidman could do it--would like it to be a gal with little bigger bones. As for Daniel Day Lewis--yes, he is a fine actor and would not be a bad choice--but not my first pick--don't know who would be though. A CRADLE SONG The angels are stooping Above your bed; They weary of trooping With the whimpering of the dead. God's laughing in Heaven To see you so good; The Sailing Seven Are gay with his mood. I sigh that kiss you, For I must own That I shall miss you When you have grown. Lesley:
Glendalough--sunup 1976. No fences, no ticket gates; just park the car get out and start to walk up the narrow little valley where a few kept the best alive for all. I could hear them still. Glowing stillness--no one else waiting for the sun. Would love to have a story of Yeats' life: Yes, Vanessa would have been wonderful--but, I think perhaps Nicole Kidman could do it--would like it to be a gal with little bigger bones though. As for Daniel Day Lewis--yes, he is a fine actor and would not be a bad choice--but not my first pick--don't know who would be though. A CRADLE SONG The angels are stooping Above your bed; They weary of trooping With the whimpering of the dead. God's laughing in Heaven To see you so good; The Sailing Seven Are gay with his mood. I sigh that kiss you, For I must own That I shall miss you When you have grown. Those last two lines will make a lump in your throat if you're not quick to remember that it would be terrible if they never did grow up.
but still--sad. Buddy - thanks for the encouragement. I spent the evening thinking about a screen play. A daunting task, indeed. No wonder no one has yet undertaken it because it would have to be perfect: every word, every setting, every character, every voice in order to do justice to the man. T. S. Eliot said that Yeats was one of those few poets whose history is the history of their own time, who are part of the consciousness of an age which cannot be understood without them. His life was epic.
Ah, the fascination of what's difficult. JH Thank you for the reminding me of Gray. I spent a lovely hour with him yesterday!
So, where is it that we shall go to? Or, rther is it always that we seek to define quality as Pirsig does, or do we seek to be next to that which I can only define as quiet elegance as we do with Yeats? While we can certainly point to quality, or development standards--how is it that we define that subtle whisper of elegance? Is it the same in each heart? Does every eye recognize it as that something that is present, yet not? I am pleased and surprised by how much pleasure the Saturday Verses generate. I have to confess that most of the pleasure is mine: finding a weekly selection brings me back to all of my old poet friends - which is why I do it. I do try to stay away from the poems that everyone knows, but what does that mean these days.
Oh, but some of them--those that once were so common--now bring comfort to older hearts!
I try not to be sophomoric, but my own education is lacking in this area! AP is right. Come upon the same poem (or any artwork, really) 20 years later and it's a whole different animal.
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