The latest Solzhenitsyn book to appear in English, March 1917, focuses on the great turning point of Russian, indeed world, history: the Russian Revolution. Just a century ago, that upheaval and the Bolshevik coup eight months later ushered in something entirely new and uniquely horrible. Totalitarianism, as invented by Lenin and developed by Hitler, Stalin, Mao, Pol Pot, and others, aspired to control every aspect of life, to redesign the earth and to remake the human soul. As a result, the environment suffered unequaled devastation and tens of millions of lives were lost in the Soviet Union alone. Solzhenitsyn, who spent the years 1945 to 1953 as a prisoner in the labor camp system known as the Gulag archipelago, devoted his life to showing just what happened so it could not be forgotten. One death is a tragedy but a million is a statistic, Stalin supposedly remarked, but Solzhenitsyn makes us envision life after ruined life. He aimed to shake the conscience of the world, and he succeeded, at least for a time.
In taking literature so seriously, Solzhenitsyn claimed the mantle of a “Russian writer,” which, as all Russians understand, means much more than a writer who happens to be Russian. It is a status less comparable to “American writer” than to “Hebrew prophet.”