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Friday, February 7. 2014Life in the USA: Happy wife, happy life - with pianoMy Christmas present to Mrs. BD was piano lessons from a fine teacher who comes to the house. Mrs. BD had lessons in youth and had an incredible music education later. She is music-oriented, but now can only easily play basic things - Happy Birthday and Christmas carols and Auld Lang Syne - she reads music but wants and needs to be able to play chords, jazz riffs, serious pieces, etc., especially since we replaced the old and now have my late Dad's Steinway baby grand. What a sound! It fills ye olde cabin with rich noise. I don't care about missed notes or the sound of practicing. I love to hear it all, including the "damn, damn, damn." Barking dogs, "damns" from the pianny, drier thumping, vacuum cleaner roaring, the scullery maids dropping pots, doorbell ringing, Blue Jays squawking outside, a young 'un yelling "Where's my sneakers?" - the lovely sounds of home sweet home. Mrs. BD "gets" music, but pretty much dislikes pop music, country music, rock - and Dylan. She's not a snob, just finds them all annoyingly juvenile, unrefined, and stupid - except for a little Motown. What she loves is opera - and anything you can dance to. She wins Charleston competitions, and that's saying a lot, because the youth these days are into vigorous retro dance. I am musically-retarded and tone-deaf but, in my wasted youth, a little cannabis plus a history of music course helped me hear, seemed to open my ears and, for some reason, that effect has lasted despite being drug-free since college. I still have to close my eyes to listen. You can get WQXR via the internets. Good fun. So are Bob Greenberg's Great Courses. We love them. When I grew up, we had an upright in the kitchen for kids' lessons, and a Grand or Baby Grand for the grown-ups in the parlor. I am told that the life span of a fine piano is 40-50 years if kept away from heat, sunlight, and given proper humidity - and then it's worthless junk, useless if not pretentious decor to put pictures on, or a $20,000 factory refurbishing. Unlike fine violins, old pianos are basically garbage which you have to pay somebody to get rid of. I placed Dad's in a northern corner of the parlor which has no nearby heat source except a fireplace that we only light up about 15 times per year for a few hours, for holidays and winter parties. I am going to coat those windows with that UV stuff to protect the wood. It's around 25 years old, so it still has a good life left in it. My Dad would bang out Mozart for an hour a day on this machine, during cocktail hour. The good old days. "Damn, damn, damn" when he missed a note. Mom would do Christmas songs and children's songs with nary a "damn." The previous family piano was a black Chickering Grand piano. Like all pianos, it aged and was junked. Those excellent Legacy speakers? I can play pretty good Bach on the CD player and my old Denon record player. Recorded music mostly destroyed the American family music culture which was based on home-made music. Well, that plus radio and TV all turned Americans into inert and passive blobs.
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When we ditched our upright piano, having discovered how much it cost to have it taken away, I decided to dismember it and take it to the dump. Don't do it! It was about 80 years old and built to last 800.
I know just what you mean when you talk about your wife taking piano lessons. I plan to be able to keep Mrs. Mudbug in piano lessons for as long as she wants. I love to hear her play - mistakes and all!
I played piano for years, classical, mostly self-taught.
I wound up practicing mistakes, never actually learned the pieces. The same mistakes always there. There's something to be said for scale practice, apparently. On the lute, by contrast, I got better and better. Lute is a chick magnet, in college. To change course a little - the headline says it all. I stumbled on this principle nearly 59 years ago.
Don't tell my Steinways that they are useless junk. :)
An 1893 Model A. It did get its action taken apart and rebuilt about five years ago. It is, however, hard to play at first because it is not a modern action! It would have to have its case restored if you couldn't tolerate aged lacquer. That one is about 20,000 dollars of junk before restoration. After...hard to say. It's had a respectable life of visiting concert pianists and is currently played for about an hour a day (mostly Chopin and Sibelius right now) The 1910 upright grand is in alright shape, but slides out of tune easily. The 1923 Model O has a cracked board, but mercifully doesn't buzz. Those two are only about 10,000 dollars of junk. (Yes, I live in a house with three pianos and can't play a note, mercifully several other people here can.) My partner has a beautiful mahogany Steinway model M from 1923, it was carefully restored fifteen years ago by one of the leading Steinway dealer shops. Beethoven and Bach sound lovely on it, and the humidity control unit keeps it functioning well, hasn't needed a retuning for several years.
Our late, beloved dog would lie by it listening contentedly, but the remaining younger shorthair gets very earnestly anxious and howls when it is played. I take him out in the farm fields for some hunting fun during playing sessions, and don't get to hear the beautiful music much these days. The children were oh, so young. And the career needed attention - as did the checkbook and mortgage payments. My Better Two-Thirds was becoming increasingly impatient with my travel.
I can't say the purchase of that upright piano saved our marriage but it sure helped. Grabbing that incredible opportunity to become the poorer owner of a 1930s Steinway grand didn't hurt either. Can't imagine declaring that thing old enough for disposal in my lifetime. More likely to have it rebuilt some day but it soldiers on just fine. Love to hear her play it. QUOTE: Recorded music mostly destroyed the American family music culture which was based on home-made music. Well, that plus radio and TV all turned Americans into inert and passive blobs. can't agree. what was the American family music culture? and what was that except a number of regional styles of music. and this is what -- cowboy chords? tin pan alley sheet music written for the lowest common denominator? how many times can you stand playing Sidewalks of new york or Goober peas without tearing out your hair? (possibly an infinite number, if that's all that one's been exposed to). recorded music made available an enormous variety of musical styles to any musician in America and out of that came distinctive American music like jazz. thanks to youtube, TV and radio, my family music culture -- meaning anyone with a guitar, ukulele, keyboards or tin whistle who wants to sit in on a Saturday night jam -- includes In the good old summer time American standards, jazz, folk, gospel, pop, the Beatles and, yes, even Dylan. You're selling 'em a bit short. Indeed there were many regional styles, but even so there were common strains of popular music that were well dispersed (though nothing like what developed in the 20th century).
For one thing, there was a tremendous body of Hymns and religious song that transcended denominational boundaries. Not exactly pop music, but a lot of that music would have been familiar to anybody who had attended church anywhere. A whole lot of parlor pianos were deployed for banging out church music at home. Many ragtime, stride and jazz pianists learned to play at home or in church, playing religious music. There was also a considerable sheet-music industry going back into the 19th Century; and some of that music became universally popular (i.e., "Dixie" was a pan-American popular hit before the Civil War). There were plenty of widely popular songs that we've forgotten. The pre-jazz popularity of Rags was almost entirely spread by either live performance, sheet music, or player-pianos. That said, outside hymnals, the available repertoire of sheet music in the mid-19th century wasn't that diverse; but it tended to include a lot piano music we now think of as "classical" - Chopin, Schubert Beethoven etc. People who wanted to play music played what was available, and often that meant playing pretty hard music. Casual players who knew all the recent moon-june-spoon dreck could often also credibly present much more technically demanding pieces. If you examine the numbers of pianos being sold in just the last quarter of the 19th Century, and compare that to the population, the piano per-capita rate was pretty impressive. There was also a thriving market for wind instruments pitched in C - such as C-melody saxophones and cornets - specifically marketed for home use, reading the melody line off piano music. In the '20s C-Melody saxophones were wildly popular (as were all saxophones). Of course, they were marketed with amateur players in mind; you didn't have to transpose, and you didn't have to buy special music. But there was a tremendous market for that. yes, I probably am selling them a bit short.
but I invite you to look at the structure of some tin pan alley songs. http://levysheetmusic.mse.jhu.edu/catalog/levy:147.102 (for in the good old summertime) or check out late 19th/early 20th scores of gospel or popular music (including Dixie) http://www.musicnotes.com/sheetmusic/mtdFPE.asp?ppn=MN0083774& this stuff is not complex music.. basic triad chords, simple rhythm and progressions. its fun and easy to play -- part of the appeal -- but its boring -- boring to play and, now, boring to listen to when played as originally arranged. you're not really seeing 6ths or 7ths or more extended chords, or more open chord voicings that incorporate what would have been considered dissonant notes back then. I suggest that radio and recordings encouraged a blend of different styles of music that just made for better composition all around as well as giving rise to new styles, such as jazz. so I wouldn't say that these things destroyed American music culture so much as it forced it to evolve. and what is musical culture but evolution? my dad's song preferences ended sometime in the mid-30s, so he never understood why I thought silent night needed a swing arrangement. A NYT article article says that the average lifespan of a high-quality grand piano is 75 years. Unfortunately, I know of several that were condemned from water or mouse damage before they were even teenagers, so I don't think it unusual that a well-cared-for Steinway of the 1930s would still be a great quality parlor instrument, just to even out the average a little.
Well, you're not wrong. Always plenty of forgettable in the Popular Music.
my dad's song preferences ended sometime in the mid-30s, so he never understood why I thought silent night needed a swing arrangement. You explained patiently, "because everything needs a swing arrangement"? Somewhere I heard one or another band leader say that his measure of whether this or that song was any good was whether or not it could be convincingly rendered in Swing. |