Quote from an essay of the above title by Roger Scruton in City Journal:
Until recently, European architects have either connived at the evisceration of our cities or actively promoted it. Relying on the spurious rhetoric of Le Corbusier and Walter Gropius, they endorsed the totalitarian projects of the political elite, whose goal after the war was not to restore the cities but to clear away the “slums.” By “slums,” they meant the harmonious classical streets of affordable houses, seeded with local industries, corner shops, schools, and places of worship, that had made it possible for real communities to flourish in the center of our towns. High-rise blocks in open parkland, of the kind that Le Corbusier proposed in his plan for the demolition of Paris north of the Seine, would replace them. Meanwhile, all forms of employment and enjoyment would move elsewhere. Public buildings would be expressly modernist, with steel and concrete frames and curtain walls, but with no facades or intelligible apertures, and no perceivable relation to their neighbors. Important monuments from the past would remain, but often set in new and aesthetically annihilating contexts, such as that provided for Saint Paul’s in London.
Citizens protested, and conservation societies fought throughout Europe for the old idea of what a city should look like, but the modernists won the battle of ideas. They took over the architecture schools and set out to ensure that the classical discipline of architecture would never again be learned, since it would never again be taught. The vandalization of the curriculum was successful: European architecture schools no longer taught students the grammar of the classical Orders; they no longer taught how to understand moldings, or how to draw existing monuments, urban streets, the human figure, or such vital aesthetic phenomena as the fall of light on a Corinthian capital or the shadow of a campanile on a sloping roof; they no longer taught appreciation for facades, cornices, doorways, or anything else that one could glean from a study of Serlio or Palladio.
Read the whole thing.
Photo below: The charming, friendly, safe, and human-scale Chelsea neighborhood of Manhattan, which was a crime-ridden "slum" one generation ago, part of Hell's Kitchen. Ripe for massive demolition and "urban planning" and "urban renewal." The social engineers are almost always wrong because they are oblivious to human nature. This one-time slum is a very pleasant place to live in, provided that your neighbors behave themselves.
Don't blame the old buildings.
Maggie's Farm links to "a righteous attack on Le Corbusier" by Roger Scruton in City Journal. I took my own shots at Mr. Jeanneret a few years back, in a long, long post with heavy assists from Tom Wolfe and...
Tracked: Jul 06, 16:29