When reflecting on my re-post yesterday on Lionel Trilling, I realized that I had neglected to reference what is perhaps his most-read work, The Liberal Imagination. It's still worth reading:
“The Liberal Imagination (1950) applied the dialectical method to cultural themes by exploring the ways in which literary masterworks deflated the pieties of trendy left-wing politics. Trilling, who identified himself as a liberal, called for a new kind of criticism that 'might find its most useful work not in confirming liberalism in its sense of general rightness but rather in putting under some degree of pressure the liberal ideas and assumptions of the present time.' That statement was almost a blueprint, or prophecy, of the neoconservative creed.” –The New York Times
And my allusion to Jacques Barzun, who as far as I know is still alive and retired in Texas, reminded me to reference his sweeping book, From Dawn to Decadence: 500 Years of Western Cultural Life 1500-Present. Via Amazon:
From Publishers Weekly
Now 92, Barzun, the renowned cultural critic, historian and former Columbia provost and professor, offers much more than a summation of his life's work in this profound, eloquent, often witty historical survey. A book of enormous riches, it's sprinkled with provocations. For example, Barzun contradicts Max Weber, arguing that the Protestant Reformation did not galvanize the capitalist spirit. With feminist ardor, he depicts the 16th century as molded and directed by women "as brilliant as the men, and sometimes more powerful" (e.g., Queens Elizabeth and Isabella). His eclectic synthesis is organized around a dozen or so themes--including emancipation, abstraction and individualism--that in his judgment define the modern era. Barzun keeps up the momentum with scores of snappy profiles, including of Luther, Erasmus, Cromwell, Mozart, Rousseau and Byron, as well as of numerous unsung figures such as German educator Friedrich Froebel, inventor of kindergarten, and turn-of-the-century American pioneer ecologist George Marsh. Other devices help make this tome user-friendly--the margins are chock-full of quotes, while vignettes of Venice in 1650, Weimar in 1790 and Chicago in 1895 give a taste of the zeitgeist. In Barzun's glum estimate, the late 20th century has brought decadence into full bloom--separatism in all forms, apathetic electorates, amoral art that embraces filth or mere shock value, the decline of the humanities, the mechanization of life--but he remains hopeful that humanity will find its way again. This is a book to be reckoned with. First serial to American Scholar; BOMC selection.
Both books well-worth reading, if you haven't.
Would either of these great Columbia profs, who knew almost everything about almost everything, be welcomed on any campuses today?
