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Saturday, February 9. 2013Saturday Verse: Swinburne (1837-1909)T.S. Eliot said "What can a poet do after Swinburne?" Good question, Tommy. Nothing decadent was outside his Victorian imagination, yet everything evocative was within it. Bio of Algernon Charles Swinburne here.
Dolores (Madonna of the Seven Sorrows) Cold eyelids that hide like a jewel (the remainder of this amazing poem on continuation page below - take a moment for Algernon -not one of us will ever do better) O lips full of lust and of laughter,
Curled snakes that are fed from my breast, Bite hard, lest remembrance come after And press with new lips where you pressed. For my heart too springs up at the pressure, Mine eyelids too moisten and burn; Ah, feed me and fill me with pleasure, Ere pain come in turn. In yesterday's reach and to-morrow's, Out of sight though they lie of to-day, There have been and there yet shall be sorrows That smite not and bite not in play. The life and the love thou despisest, These hurt us indeed, and in vain, O wise among women, and wisest, Our Lady of Pain. Who gave thee thy wisdom? what stories That stung thee, what visions that smote? Wert thou pure and a maiden, Dolores, When desire took thee first by the throat? What bud was the shell of the blossom That all men may smell to and pluck? What milk fed thee first at what bosom? What sins gave thee suck? We shift and bedeck and bedrape us, Thou art noble and nude and antique; Libitina thy mother, Priapus Thy father, a Tuscan and Greek. We play with light loves in the portal, And wince and relent and refrain; Loves die, and we know thee immortal, Our Lady of Pain. Fruits fail and love dies and time ranges; Thou art fed with perpetual breath, And alive after infinite changes, And fresh from the kisses of death; Of languours rekindled and rallied, Of barren delights and unclean, Things monstrous and fruitless, a pallid And poisonous queen. Could you hurt me, sweet lips, though I hurt you? Men touch them, and change in a trice The lilies and languours of virtue For the raptures and roses of vice; Those lie where thy foot on the floor is, These crown and caress thee and chain, O splendid and sterile Dolores, Our Lady of Pain. There are sins it may be to discover, There are deeds it may be to delight. What new work wilt thou find for thy lover, What new passions for daytime or night? What spells that they know not a word of Whose lives are as leaves overblown? What tortures undreamt of, unheard of, Unwritten, unknown? Ah beautiful passionate body That never has ached with a heart! On thy mouth though the kisses are bloody, Though they sting till it shudder and smart, More kind than the love we adore is, They hurt not the heart or the brain, O bitter and tender Dolores, Our Lady of Pain. As our kisses relax and redouble, From the lips and the foam and the fangs Shall no new sin be born for men's trouble, No dream of impossible pangs? With the sweet of the sins of old ages Wilt thou satiate thy soul as of yore? Too sweet is the rind, say the sages, Too bitter the core. Hast thou told all thy secrets the last time, And bared all thy beauties to one? Ah, where shall we go then for pastime, If the worst that can be has been done? But sweet as the rind was the core is; We are fain of thee still, we are fain, O sanguine and subtle Dolores, Our Lady of Pain. By the hunger of change and emotion By the thirst of unbearable things, By despair, the twin-born of devotion By the pleasure that winces and stings, The delight that consumes the desire, The desire that outruns the delight, By the cruelty deaf as a fire And blind as the night, By the ravenous teeth that have smitten Through the kisses that blossom and bud, By the lips intertwisted and bitten Till the foam has a savour of blood, By the pulse as it rises and falters, By the hands as they slacken and strain, I adjure thee, respond from thine altars, Our Lady of Pain. Wilt thou smile as a woman disdaining The light fire in the veins of a boy? But he comes to thee sad, without feigning, Who has wearied of sorrow and joy; Less careful of labour and glory Than the elders whose hair has uncurled; And young, but with fancies as hoary And grey as the world. I have passed from the outermost portal To the shrine where a sin is a prayer; What care though the service be mortal? O our Lady of Torture, what care? All thine the last wine that I pour is, The last in the chalice we drain, O fierce and luxurious Dolores, Our Lady of Pain. All thine the new wine of desire, The fruit of four lips as they clung Till the hair and the eyelids took fire, The foam of a serpentine tongue, The froth of the serpents of pleasure, More salt than the foam of the sea, Now felt as a flame, now at leisure As wine shed for me. Ah thy people, thy children, thy chosen, Marked cross from the womb and perverse! They have found out the secret to cozen The gods that constrain us and curse; They alone, they are wise, and no other; Give me place, even me, in their train, O my sister, my spouse, and my mother, Our Lady of Pain. For the crown of our life as it closes Is darkness, the fruit thereof dust; No thorns go as deep as a rose's, And love is more cruel than lust. Time turns the old days to derision, Our loves into corpses or wives; And marriage and death and division Make barren our lives. And pale from the past we draw nigh thee, And satiate with comfortless hours; And we know thee, how all men belie thee, And we gather the fruit of thy flowers; The passion that slays and recovers, The pangs and the kisses that rain On the lips and the limbs of thy lovers, Our Lady of Pain. The desire of thy furious embraces Is more than the wisdom of years, On the blossom though blood lie in traces, Though the foliage be sodden with tears. For the lords in whose keeping the door is That opens to all who draw breath Gave the cypress to love, my Dolores, The myrtle to death. And they laughed, changing hands in the measure, And they mixed and made peace after strife; Pain melted in tears, and was pleasure; Death mingled with blood, and was life. Like lovers they melted and tingled, In the dusk of thine innermost fane; In the darkness they murmured and mingled, Our Lady of Pain. In a twilight where virtues are vices, In thy chapels, unknown of the sun, To a tune that enthralls and entices, They were wed, and the twain were as one. For the tune from thine altar hath sounded Since God bade the world's work begin, And the fume of thine incense abounded, To sweeten the sin. Love listens, and paler than ashes, Through his curls as the crown on them slips, Lifts languid wet eyelids and lashes, And laughs with insatiable lips. Thou shalt hush him with heavy caresses, With music that scares the profane; Thou shalt darken his eyes with thy tresses, Our Lady of Pain. Thou shalt bind his bright eyes though he wrestle, Thou shalt chain his light limbs though he strive; In his lips all thy serpents shall nestle, In his hands all thy cruelties thrive. In the daytime thy voice shall go through him, In his dreams he shall feel thee and ache; Thou shalt kindle by night and subdue him Asleep and awake. Thou shalt touch and make redder his roses With juice not of fruit nor of bud; When the sense in the spirit reposes, Thou shalt quicken the soul through the blood. Thine, thine the one grace we implore is, Who would live and not languish or feign, O sleepless and deadly Dolores, Our Lady of Pain. Dost thou dream, in a respite of slumber, In a lull of the fires of thy life, Of the days without name, without number, When thy will stung the world into strife; When, a goddess, the pulse of thy passion Smote kings as they revelled in Rome; And they hailed thee re-risen, O Thalassian, Foam-white, from the foam? When thy lips had such lovers to flatter; When the city lay red from thy rods, And thine hands were as arrows to scatter The children of change and their gods; When the blood of thy foemen made fervent A sand never moist from the main, As one smote thm, their lord and thy servant, Our Lady of Pain. On sands by the storm never shaken, Nor wet from the washing of tides; Nor by foam of the waves overtaken, Nor winds that the thunder bestrides; But red from the print of thy paces, Made smooth for the world and its lords, Ringed round with a flame of fair faces, And splendid with swords. There the gladiator, pale for thy pleasure, Drew bitter and perilous breath; There torments laid hold on the treasure Of limbs too delicious for death; When the gardens were lit with live torches; When the world was a steed for thy rein; When the nations lay prone in thy porches, Our Lady of Pain. When, with flame all around him aspirant, Stood flushed, as a harp-player stands, The implacable beautiful tyrant, Rose-crowned, having death in his hands; And a sound as the sound of loud water Smote far through the flight of the fires, And mixed with the lightning of slaughter A thunder of lyres. Dost thou dream of what was and no more is, The old kingdoms of earth and the kings? Dost thou hunger for these things, Dolores, For these, in a new world of things? But thy bosom no fasts could emaciate, No hunger compel to complain Those lips that no bloodshed could satiate, Our Lady of Pain. As of old when the world's heart was lighter, Through thy garments the grace of thee glows, The white wealth of thy body made whiter By the blushes of amorous blows, And seamed with sharp lips and fierce fingers, And branded by kisses that bruise; When all shall be gone that now lingers, Ah, what shall we lose? Thou wert fair in the fearless old fashion, And thy limbs are as melodies yet, And move to the music of passion, With lithe and lascivious regret. What ailed us, O gods, to desert you For creeds that refuse and restrain? Come down and redeem us from virtue, Our Lady of Pain. All shrines that were Vestal are flameless, But the flame has not fallen from this; Though obscure be the god, and though nameless The eyes and the hair that wqe kiss; Low fires that love sits by and forges Fresh heads for his arrows and thine; Hair loosened and soiled in mid orgies With kisses and wine. Thy skin changes country and colour, And shrivels or swells to a snake's. Let it brighten and bloat and grow duller, We know it, the flames and the flakes, Red brands on it smitten and bitten, Round skies where a star is a stain, And the leaves with thy litanies written, Our Lady of Pain. On thy bosom though many a kiss be, There are none such as knew it of old. Was it Alciphron once or Arisbe, Male ringlets or feminine gold, That thy lips met with under the statue, Whence a look shot out sharp after thieves From the eyes of the garden-god at you Across the fig-leaves? Then still, through dry seasons and moister, One god had a wreath to his shrine; Then love was the pearl of his oyster, And Venus rose red out of wine, We have all done amiss, choosing rather Such loves as the wise gods disdain; Intercede for us thou with thy father, Our Lady of Pain. In spring he had crowns of his garden, Red corn in the heat of the year, Then hoary green olives that harden When the grape-blossom freezes with fear; And milk-budded myrtles with Venus And vine-leaves with Bacchus he trod; And ye said, "We have seen, he hath seen us, A visible God." What broke off the garlands that girt you? What sundered you spirit and clay? Weak sins yet alive are as virtue To the strength of the sins of that day. For dried is the blood of thy lover, Ipsithilla, contracted the vein; Cry aloud, "Will he rise and recover, Our Lady of Pain?" Cry aloud; for the old world is broken; Cry out; for the Phrygian is priest, And rears not the bountiful token And spreads not the fatherly feast. From the midmost of Ida, from shady Recesses that murmur at morn, They have brought and baptized her, Our Lady, A goddess new-born. And the chaplets of old are above us, And the oyster-bed teems out of reach; Old poets outsing and outlove us, And Catullus makes mouths at our speech. Who shall kiss, in thy father's own city, With such lips as he sang with, again? Intercede for us all of thy pity, Our Lady of Pain. Out of Dindymus heavily laden Her lions draw bound and unfed A mother, a mortal, a maiden, A queen over death and the dead. She is cold, and her habit is lowly, Her temple of branches and sods; Most fruitful and virginal, holy, A mother of gods. She hath wasted with fire thine high places, She hath hidden and marred and made sad The fair limbs of the Loves, the fair faces Of gods that were goodly and glad. She slays, and her hands are not bloody; She moves as a moon in the wane, White-robed, and thy raiment is ruddy, Our Lady of Pain. They shall pass and their places be taken, The gods and the priests that are pure, They shall pass, and shalt thou not be shaken? They shall perish, and shalt thou endure? Death laughs, breathing close and relentless In the nostrils and eyelids of lust, With a pinch in his fingers of scentless And delicate dust. But the worm shall revive thee with kisses; Thou shalt change and transmute as a god, As the rod to a serpent that hisses, As the serpent again to a rod. Thy life shall not cease though thou doff it; Thou shalt live until evil be slain, And the good shall die first, said thy prophet, Our Lady of Pain. Did he lie? did he laugh? does he know it, Now he lies out of reach, out of breath, Thy prophet, thy preacher, thy poet, Sin's child by incestuous Death? Did he find out in fire at his waking, Or discern as his eyelids lost light, When the bands of his body were breaking And all came in sight? Who has known all the evil before us, Or the tyrannous secrets of time? Though we match not the dead men that bore us At a song, at a kiss, at a crime - Though the heathen outface and outlive us, And our lives and our longings are twain - Ah, forgive us our virtues, forgive us, Our Lady of Pain. Who are we that embalm and embrace thee With spices and savours of song? What is time, that his children should face thee? What am I, that my lips do thee wrong? I could hurt thee - but pain would delight thee; Or caress thee - but love would repel; And the lovers whose lips would excite thee Are serpents in hell. Who now shall content thee as they did, Thy lovers, when temples were built And the hair of the sacrifice braided And the blood of the sacrifice spilt, In Lampsacus fervent with faces, In Aphaca red from thy reign, Who embraced thee with awful embraces, Our Lady of Pain? Where are they, Cotytto or Venus, Astarte or Ashtaroth, where? Do their hands as we touch come between us? Is the breath of them hot in thy hair? From their lips have thy lips taken fever, With the blood of their bodies grown red? Hast thou left upon earth a believer If these men are dead? They were purple of raiment and golden, Filled full of thee, fiery with wine, Thy lovers, in haunts unbeholden, In marvellous chambers of thine. They are fled, and their footprints escape us, Who appraise thee, adore, and abstain, O daughter of Death and Priapus, Our Lady of Pain. What ails us to fear overmeasure, To praise thee with timorous breath, O mistress and mother of pleasure, The one thing as certain as death? We shall change as the things that we cherish, Shall fade as they faded before, As foam upon water shall perish, As sand upon shore. We shall know what the darkness discovers, If the grave-pit be shallow or deep; And our fathers of old, and our lovers, We shall know if they sleep not or sleep. We shall see whether hell be not heaven, Find out whether tares be not grain, And the joys of the seventy times seven, Our Lady of Pain. Trackbacks
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Fine writing, but repelled by S & M. I could be flip and say whatever floats your boat. This verse was good but so sad:
For the crown of our life as it closes Is darkness, the fruit thereof dust; No thorns go as deep as a rose's, And love is more cruel than lust. Time turns the old days to derision, Our loves into corpses or wives; And marriage and death and division Make barren our lives. I know not so sit here and wonder,
As this poem beleaguers my head, Have I read it in order to chunder, Or merely to delight in my dread? Buddy,
This poem is for the birds. We should all go and buy our spouses Valentine presents and leave the morbid degenerates to rot at their computers... I think it's like the Electric Koolaid Acid test:
Question: Can you do it--can you wring out your brain, stomp up and down on it, put it back in your head, and still have it work well enough to get by? Answer: Uh, maybe. Question: Well, why not do it, then? Answer: Uhhhhhhh...ok. I dunno Buddy (am still cleaning house, doing laundry and supervising kiddie playdate) maybe it's like dialysis in reverse, run your blood supply thru a machine that injects toxins instead of filtering them out...life's too short to read icky poetry. Or, if you are feeling morbid, a better poem is "La Belle Dame Sans Merci"
here http://www.bartleby.com/126/55.html Better to go buy the spouse something that reminds them of when you first fell in love. Not to be a nag or anything... But i do--it's just so decadent. The actual thing is wonderful--the meter, the rhyme scheme, that shortened 8th line, the luxorious wording & lascivious imagery. It's really gorgeous, but y'know, kinda ghastly too.
Shakespeare said it better, and in fewer lines, even if he was writing it to a boy or a rich old hag:
[ 35 ] No more be grieved at that which thou hast done: Roses have thorns, and silver fountains mud, Clouds and eclipses stain both moon and sun, And loathsome canker lives in sweetest bud. All men make faults, and even I in this, Authorising thy trespass with compare, My self corrupting salving thy amiss, Excusing thy sins more than their sins are: For to thy sensual fault I bring in sense; Thy adverse party is thy advocate, And 'gainst myself a lawful plea commence: Such civil war is in my love and hate That I an accessary needs must be To that sweet thief which sourly robs from me. Annabel Lee by Edgar Allen Poe
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The Angels, not half as happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride In the sepulchre there by the sea, In her tomb by the side of the sea. Whew --for a minute there, i thought i'd written that back six years ago, and had mentally rather fantastically declined since.
But seriously, have learned more about Swinburne since --and he was for a fact a little decadent at least by the light of his times. But lordy lordy, could he ever write poetry! (two samples from somewhere) “From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever That dead men rise up never That even the weariest river Winds somewhere safe to sea” === “When the hounds of spring are on winter's traces, The mother of months in meadow or plain Fills the shadows and windy places With lisp of leaves and ripple of rain . . .” === Or try this whole thing, including its mysterious refrain ("While three men hold together, The kingdoms are less by three"), the meaning of which is unfindable if my previous two hours are any clue: A Song in Time of Order. 1852 PUSH hard across the sand, For the salt wind gathers breath; Shoulder and wrist and hand, Push hard as the push of death. The wind is as iron that rings, The foam-heads loosen and flee; It swells and welters and swings, The pulse of the tide of the sea. And up on the yellow cliff The long corn flickers and shakes; Push, for the wind holds stiff, And the gunwale dips and rakes. Good hap to the fresh fierce weather, The quiver and beat of the sea! While three men hold together, The kingdoms are less by three. Out to the sea with her there, Out with her over the sand; Let the kings keep the earth for their share! We have done with the sharers of land. They have tied the world in a tether, They have bought over God with a fee; While three men hold together, The kingdoms are less by three. We have done with the kisses that sting, The thief’s mouth red from the feast, The blood on the hands of the king And the lie at the lips of the priest. Will they tie the winds in a tether, Put a bit in the jaws of the sea? While three men hold together, The kingdoms are less by three. Let our flag run out straight in the wind! The old red shall be floated again When the ranks that are thin shall be thinned, When the names that were twenty are ten; When the devil’s riddle is mastered And the galley-bench creaks with a Pope, We shall see Buonaparte the bastard Kick heels with his throat in a rope. While the shepherd sets wolves on his sheep And the emperor halters his kine, While Shame is a watchman asleep And Faith is a keeper of swine, Let the wind shake our flag like a feather, Like the plumes of the foam of the sea! While three men hold together, The kingdoms are less by three. All the world has its burdens to bear, From Cayenne to the Austrian whips; Forth, with the rain in our hair And the salt sweet foam in our lips; In the teeth of the hard glad weather, In the blown wet face of the sea; While three men hold together, The kingdoms are less by three. === Really, the whole poem is concentrated in the last four lines --standing alone they're almost as full as the whole thing, seems to me anyways. "Hard glad weather" and "blown wet face of the sea" indeed --for anyone who's spent time on a seacoast, fishing stormy weather or trying to get out to the rigs on workboats when the choppers are socked in and can't fly. The Victorian poets - so unfairly dismissed by the Modernists. But then the Modernists were trying to prove themselves against their betters.
Anyway, they were still out of fashion when I was in college so poets like Swinburne were sniffed at. Swinburne barely mentioned at all. So far as the Victorians go, I barely read anything from that era other than a little Browning, Hopkins, wee bit of Tennyson when I was in school. Many the modernists I never appreciated - until I read more deeply of the Victorians and, worse, of people like Pope and Dryden. Learn the rules being rebelled against, and whatever merit's in the rule-breaking becomes clearly. Even though I only appreciate most of the modernists - can't really love but a very few. IIRC after Tennyson died, I think it was Robert Cecil was P.M., and he considered Swinburne for Poet Laureate but the kinky made him think better of it. --now that i re-read it, the 'time of order' middle passage is anything but mere nature trills and pretties --it's really a pretty savage attack on the establishment, church, state, truth as given. But who-what is the 'three'?
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