Delacroix's (1798-1863)Diary and Letters are excerpted at Roger Sandall. Learned about his work in art history about 90 years ago, but knew nothing about the man himself. What a tender, strong, determined, and honest fellow.
On life:
Think of the blessings that await you, not of the emptiness that drives you to seek constant distraction. Think of having peace of mind and a reliable memory, of the self-control that a well-ordered life will bring, think of health not undermined by endless concessions to the passing excesses that other people's society entails, think of uninterrupted work, and plenty of it. Nothing is better than having some task to perform each day.
On painting:
The enemy of all painting is grey. To speak truly, there are neither lights nor shades. There is a color mass for each object, reflected differently on all sides. I discovered one day that linen has green reflections and violet shadows. I notice that it is the same with the sea: I expect this law applies to everything. The special charm of watercolor, beside which any painting in oil always appears rusty and yellowed, is due to the inherent transparency of the paper.
On l'amour:
To the studio at nine o'clock. Laure came. We continued with the portrait. It's an extraordinary thing, but although I wanted to make love to her all the time she was posing, as soon as she began to leave rather hurriedly as a matter of fact I did not feel like it at all; I suppose I needed time to collect myself.
I need a mistress to keep my flesh in subjection. I'm terribly worried about it, and struggle with my better self when I'm in the studio. Sometimes I long for any woman to come along. God grant that Laure comes tomorrow! Saw Cogniet, and the picture by Gricault, also the Constables. It was too much for one day. Came home about five o'clock. Spent two hours in the studio. Great want of sex. I am utterly abandoned.
Read the selection here, with some comments. You will like him better afterwards.
