The Pearl Theater (NYC) is presenting four Lewis pieces adapted to the stage, produced by the Fellowship for the Performing Arts.
We have seen the Screwtape, and saw The Great Divorce last Sunday. On Sunday afternoon, the Divorce sold out.
After the matinee, I strolled around a festive 10th Ave (photo) and met a daughter at Marseille for cocktails and supper.
In that area, we are partial to the cozy (but loud) West Bank Cafe but Marseille was excellent.
After early supper, said daughter and I took a long walk around midtown. Not shopping, just walking around and discussing film scripts - and whether a good plot can be dumped into any setting, in any point in time - past, present, or future.
We agreed that it can. Plot first, setting second. The story is the meat, the setting is the flavoring. That might be wrong in many cases, though. Star Wars, for example, and other spectacle-centered productions don't need interesting plots.
Manhattan at Christmastime is festive, jammed, and merry. Just plain wonderful. That's the setting: the plot is the birth of Jesus.