Maggie's Farm

Somehow I completely missed Dylan's 2012 album Tempest.

From one review:

Tempest is certainly his strongest and most distinctive album in a decade. The sound is a distillation of the jump blues, railroad boogie, archaic country and lush folk that Dylan has been honing since 2001's Love and Theft, played with swagger and character by his live ensemble and snappily produced by the man himself. A notoriously impatient recording artist, Dylan seems to have found a style that suits his working methods. Drawing on the early 20th-century Americana that first grabbed his attention as a young man (and that he celebrated in his Theme Time Radio Hour shows) and surrounding himself with slick, intuitive musicians capable of charging these nostalgic grooves with contemporary energy, his late-period albums seem a continuation of his tours, as if he rolls right off the stage and into the studio and just keeps rocking.

Here are a few live versions of Scarlet Town, from that record.

Here are the lyrics.